Conceptual art

Conceptual art is based on the notion that the essence of art is an idea, or concept, and may exist distinct from and in the absence of an object as its representation. Conceptual art can take many forms, including, most frequently, descriptions and seemingly objective photographic documentation the use of conceptualism in contemporary practice is often referred to as contemporary conceptualism.

conceptual art Conceptual art was taken to the extremes of art as idea by lawrence weiner in his 1968 declaration of intent, which declared he would cease the practice of creating physical art, citing no need to build something when the idea behind any work of art should suffice, since the artist's intent remains the same (or should, ideally), regardless of whether the work is in physical form or merely conceptual.

Conceptual art is all about ideas and meanings rather than works of art (paintings, sculptures, other precious objects) it is characterized by its use of text, as well as imagery, along with a variety of ephemeral, typically everyday materials and found objects.

Conceptual art movement prizes ideas over the visual components of art that can manifest themselves in performances, happenings, and/or ephemera share cookie use: cookies help us deliver the best possible service to you. “in conceptual art the idea or concept is the most important aspect of the work,” lewitt wrote “when an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair” that planning is, essentially, a set of strategies.

If we are to sidestep such an intrinsic division between conceptual art on the one hand, and other kinds of art on the other, then theories concerned mainly with art that is not conceptual will have to make many significant concessions in order to incorporate the problematic case that conceptual artworks present. Famous art and artists in conceptual art with analysis of achievements and overall contributions to the movement. Conceptual art a&i (art and ideas) [tony godfrey] on amazoncom free shipping on qualifying offers what is art must it be a unique, saleable luxury item can it be a concept that never takes material form or an idea for a work that can be repeated endlessly conceptual art favours an engagement with such questions as the variety of illustrations in this book shows.

Conceptual art

conceptual art Conceptual art was taken to the extremes of art as idea by lawrence weiner in his 1968 declaration of intent, which declared he would cease the practice of creating physical art, citing no need to build something when the idea behind any work of art should suffice, since the artist's intent remains the same (or should, ideally), regardless of whether the work is in physical form or merely conceptual.

Conceptual art: a critical anthology [alexander alberro, blake stimson] on amazoncom free shipping on qualifying offers this landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement compared to other avant-garde movements that emerged in the 1960s. Conceptual art, sometimes simply called conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. Conceptual art, also called post-object art or art-as-idea, artwork whose medium is an idea (or a concept), usually manipulated by the tools of language and sometimes documented by photography its concerns are idea-based rather than formal.

As wood (art history, open univ, london) explains, modernism emphasized pictorial form as a means of escape from a stultifying academic tradition, while conceptual art-at its zenith in the late 1960s to 1970s-was an art of ideas, producing not objects but documents.

Conceptual art, politicised and influenced by events such as the ‘may days’ in paris (1968), the ‘hot autumn’ in italy (1969), the vietnam war, and the rise of feminism, promotes a rapprochement between art-making and criticism – both artistic and social – by raising questions about the products of artistic activities and the very purpose of art to use the words of joseph kosuth, it ‘annexes the functions of the critic, and makes a middle-man unnecessary’ (guercio 1999, 39.

conceptual art Conceptual art was taken to the extremes of art as idea by lawrence weiner in his 1968 declaration of intent, which declared he would cease the practice of creating physical art, citing no need to build something when the idea behind any work of art should suffice, since the artist's intent remains the same (or should, ideally), regardless of whether the work is in physical form or merely conceptual. conceptual art Conceptual art was taken to the extremes of art as idea by lawrence weiner in his 1968 declaration of intent, which declared he would cease the practice of creating physical art, citing no need to build something when the idea behind any work of art should suffice, since the artist's intent remains the same (or should, ideally), regardless of whether the work is in physical form or merely conceptual.
Conceptual art
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